Austin Clarke’s 2002 novel, The Polished Hoe, tells the story of Mary-Mathilda Bell in the post-colonial Caribbean. Set on the fictional island of Bimshire, the narrative unfolds over a single night as Mary-Mathilda confesses to the murder of the plantation owner, Mr. Bell. This confession, however, is not a simple admission of guilt, but rather a complex unraveling of a lifetime of secrets, exploitation, and the lingering legacy of slavery. The narrative structure utilizes stream-of-consciousness to delve into Mary-Mathilda’s memories, exploring her relationship with Mr. Bell, who is revealed to be her father and long-time abuser.
This award-winning work is considered a significant contribution to Caribbean literature. It provides a profound exploration of themes such as colonialism, its enduring impact on identity and power dynamics, and the complexities of familial relationships within a historical context of trauma. Clarke’s masterful use of language and narrative technique brings to light the silenced voices and untold stories of a community grappling with its past. The novel’s impact stems from its unflinching portrayal of difficult subjects and its exploration of the lasting consequences of historical injustice.
